Summer Variety

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Sea Urchin: 4x4 panel, watercolor, encaustic, oil stick

Sea Urchin: 4×4 panel, watercolor, encaustic, oil stick

It’s a surprisingly nice feeling when someone appreciates your work enough to actually buy it! The piece was donated to our local library fundraiser–I decided to donate my sale 100% to the library–somehow it seemed the best thing to do considering I don’t sell my work yet. It wasn’t a high ticket sale, but so nice none-the-less to have another person enjoy it.

I am working on a bunch of really tiny pieces…4×4 cradled panels. The square is an interesting challenge–so far the work all seems to go well together–sheerly by accident, but I think that they will look good hanging together. Because I can’t settle down and just keep going with one medium I am also trying out some oil paint on wood panel.

Cone Flower: 4x4 on wood panel, watercolor and colored pencil

Cone Flower: 4×4 on wood panel, watercolor and colored pencil

Still experimenting with the encaustic–maybe it’s always going to feel that way. This piece I decided to just have fun with. I am starting to get the hang of the layering of color–the main image I scraped out with an old dental instrument–I was pleased with the way that worked out.

Jack-in-the-pulpit: encaustic on wood panel, 11x14

Jack-in-the-pulpit: encaustic on wood panel, 11×14

I want to move on and do a series with the cone flowers that are blooming. I have discovered that working plein air is actually pretty wonderful…but they aren’t going to last as long as I need them to!

Afternoon Shadows at Fort Point Lighthouse: SOLD!!!

Afternoon Shadows at Fort Point Lighthouse: SOLD!!!

Two Trees

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Inktense and graphite

Inktense and graphite

I have been thinking about this image for quite awhile. So, I decided to make it the subject matter for my first “finished” piece of the new year. I’m not sure what that really means, but I suppose it will just be well attended to and slower to complete. My approach is to get to know the subject by doing at least 2 or 3 warm up sketches. And, they can fulfill some of my more minor goals too. The first sketch was done in my 75 Days of Ink Journal. Fairly quick. Next up, color! I am missing color with the ink drawings, but trying not to break the rules.

The sketchbook skool folks are emailing assignments to previous klass participants! That is pretty awesome. This week’s assignment is to scrutinize a tree. Perfect for Ink!

Ink only

Ink only

Seeing

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Opaque watercolor and sharpie pen. Portland Head Lighthouse

Opaque watercolor and sharpie pen. Portland Head Lighthouse

Sketchbook Skool has started! This semester is called “Seeing”. First assignment for this week was to draw toast. Ugh. I can’t say that was really enjoyable, but I get it. The goal is to get you to see things as shapes that aren’t associated with labels. Just draw the nooks and cranny’s. I was lucky enough to have some homemade bread that was stale enough to qualify as toast. I drew it for as long as I could.

Second part of this lesson was “Fast and Slow”. I have to admit this was kind of right up my alley–but a different take on how to start a piece. The instruction was to use one or two colors of paint to “draw” simple lines indicating the subject, and quickly. No more than 60 seconds to start. After you get that down, you draw in the details with a pen and really look carefully at all the complexity and proportions–take your time, draw for about an hour.

The most difficult thing for me in this was actually choosing the subject. I didn’t have anything from life that I was interested in drawing, so I just decided to work from a photo I had taken last May. I love this composition with the lighthouse and the Big dog. Buildings are not something I would normally choose to draw, so that was an added challenge. Proportions aren’t perfect, but no one really knows that but me. Fun assignment, and I definitely learned from it. And, I am inspired to maybe to do a Big Dog sketch book–he is such a fun subject.

Bread: micron pen

Bread: micron pen