Inktense and colored pencil
Seems like shells are the subject matter of the moment. The great thing about them is that I have so many to choose from! Before my #sketchbookskool class I was drawing a lot more from photos. I have discovered I really like drawing from life. Many of the shells I have are tiny, so I can just put them in my purse and pull them out to draw at any time.
For my next few drawings I am going to work on putting color down first and then working over in ink pen. Love, love, love working in ink. And, I am surprised at how much I like working without any guidelines.
Quick sketch: ink pen
water-soluble crayon and colored pencil
Doing these little detail drawings is a lot of fun. I am working on incorporating some movement and activity in the background. This background was inspired by the pattern on the topside of a scallop shell that I picked up a long with this broken shell. The broken shell reminded me of Georgia O’Keefe shell paintings, so I thought I would try to do one with that as inspiration.
I like the texture and movement in the background, I am going to work on these combinations for a few more pieces. I need to work on doing a better job of creating a motion feeling…but it’s starting.
This was drawn in my moleskin sketchbook.
Shell Study: Derwent Inktense
Inktense are intense! Fun to try some new materials today. My first try was just the intense, the second sketch I decided to use the #inktense pencils to do the underpainting and then use prismacolor for the drawing. This seems to be a good combination. Next try will be inktense and then ink pen. I love how saturated the color is. This is similar to the water-soluble crayons…but different. Once you put the color down and it dries, it is permanent. Looking forward to exploring how to work with this medium. These two sketches were in my moleskin, paper is soft, so I am going to try a different paper next. Just in case you are interested here is the link for the Derwent Inktense.
Looking forward to drawing tomorrow!
Slipper Shell in progress
shell study: graphite
This week in #sketchbookskool is all about slowing down. It’s a really good way to end the class, Tommy Kane has been really enjoyable to learn from. I am not too keen on this homework assignment, but I get it. He wants us to take 3 to 6 hours to do a drawing, and the subject matter is “your kitchen”! Yikes. Again, I get it, he wants you to overcome that fear and challenge yourself to capture all those overwhelming details. I am working on figuring out how I can enjoy this, I think I am going to put some shells on the counter so that I have something I love to draw in the drawing. At the same time, I am going to work on a long detailed drawing of shells trying to incorporate the style of Georgia O’Keefe and Van Gogh. This should keep me pretty occupied.
Sketch above was a warm up for this assignment. A much more lengthy and detailed sketch…about 30 or 40 minutes, longer than I usually take. I did enjoy slowing down and really paying attention to all the variations in the shadow and in the shell.
Warm up assignment
I was a little behind on my #sketchbookskool homework, so I think that I rushed through a little to catch up. I don’t think that I should do that, I need to remember, its an online course! It’s not going anywhere! So, because I rushed I didn’t feel super great about the projects. I also didn’t really like the technique that we used. The assignment was to draw in pencil, ink in the outline and then color in with watercolor. It’s just not my thing…but, I can see that it can be a good approach for certain things.
This week the subject matter is more interesting to me, drawing animals! Looking forward to this, but I need to find some figurines to draw from for the assignment. The first step in this weeks class was to draw your art supplies. I see other artists do this a fair amount, it’s something I never really considered as a subject. However, once I sat down and really focused in on it I did find it fun. On to the animals!
Ink outlines and watercolor washes
Trying to maintain a loose style. It is so easy to get all worked up and tied tight while drawing and painting. I have done some pages in my sketchbook with just random color…they have been sitting in my book for awhile now. I have decided to try some drawing over top the color, it’s oddly liberating. I will keep trying this for awhile. In some ways the color suggests the drawing and in some ways the drawing leans towards one of the previous done grounds. I like the way that works!